محل تبلیغات شما

Ehsan Koopayeh: Musician, Writer, Polymer Industry Engineer


Best For Last by ADELE With Best Jazz Variation(Jazz Variation #1)
Best For Last by ADELE With Best Jazz Variation(Jazz Variation #1)

Jazz Variation #1 says that:
Use Major Scale tones for chord roots:

Move up the scale on white keys in measure 5 keys from C(I) to G7(V7), Building chords on each new root note as in figure,Notice that the G7(V7) or G(V) Chord is an Authentic Cadence(V7 to I)


 usually first four chords of Jazz Variation #1 are used in popular music  
BEST For Last by ADELE an example of I-ii-iii-IV Progression

Best for Last by ADELE:
Time Signature:4/4
 Tonality: D Major Key

Jazz Variation Source: Piano for Dummies by Blake Neely

مشخصات

Jazz Variation #3: Romantic-Jazz Chord Progression
Jazz Variation #3: Romantic-Jazz Chord Progression

 Million Years ago by ADELE From ADELE25: an example of Jazz Variation #3
with adding (A7) Secondary Dominant(V7/iv) in the Natural minor scale, Pop-Jazz Progression is Converted the Romantic-Jazz Progression, The Secondary Dominant A7(V7/iv) adds a romantic sense to the Pop-Jazz Progression

i'll explain more about Secondary Dominants in the Natural,Harmonic and Melodic minor scales on Harmony of Romantic Music

Jazz Variation source: Piano for Dummies by Blake Neely





مشخصات

Jazz Variation #3: Popular-Jazz Chord Progressions: Properties #10 and #11
Jazz Variation #3: Popular-Jazz Chord Progressions

Properties #10 and #11

Jazz Variation #3: Move up in Fourths
Thats Mean: Start a Chord Pattern(there :Tonic(i) minor chord), then move up a fourth and build a triad or seventh chord on each new root note and finally end musical sentence by E or E7(V or V7 chord) Cadence chord(V or V7 to i)  that V or V7 Chords is an Authentic Cadence

reminder: The E or E7(V or V7) is a Cadence and Primary Dominant in the minor Scale,and G or G7(V or V7) is a Cadence and Primary Dominant in the Major Scale(The E or E7 is count Chromatic Chord in the minor key, The G or G7 is count Diatonic Chord in Major Key)

Notice: You can add a Secondary Dominant(V7/iv:A7) to this chord progressions in order to adding Anticipation and Romantic sense

i'll explain about Secondary Dominants as to Natural,Harmonic and Melodic minor scales in Harmony of Popular and Romantic, You dont know how much the Secondary Dominants is important and sweet in Popular music harmony,I love them so much


Jazz Variation Source: Piano for Dummies by Blake Neely











مشخصات

Stevie Wonder - Master Blaster (jammin')-Melodic minor scale Propreties-Melodic minor scale Propreties
Stevie Wonder - Master Blaster (jammin')-Melodic minor scale Propreties

Ability of Making Major The Sub-dominant and Dominant Chords in ascending pattern
for example

Listen to Master Blaster(jammin') by Stevie Wonder

The song,from Cm chord to Ab chord ,that is:Cm(i)-Bb(VII)-Ab(VI),uses descending pattern chords(Built chords in The Natural minor Scale) and then from G(V) to F(IV),uses ascending pattern chords


Song Chord Progressions

Intro
Open Octaves: C8-Bb8-Ab8-G8-F8-C8-Bb8


Progression #1: Cm(i)-Cm7(i7)-Bb(VII)-Ab(VI)-G(V)-F(IV)-Cm(i)-Bb(VII)

Progression #2: Cm(i)-G7(V7)-F7(IV7)


Notice that The Bass melody uses "C Minor Pentatonic scale

I love this song so much

We Love you Stevie

مشخصات

تبلیغات

محل تبلیغات شما

آخرین مطالب

آخرین ارسال ها

محل تبلیغات شما محل تبلیغات شما

آخرین وبلاگ ها

آخرین جستجو ها

درباره این سایت

  • این وبسایت تابع قوانین جمهوری مقدس اسلامی ایران بوده و در ستاد ساماندهی پایگاه های اینترنتی ثبت شده است.
  • تمامی محتوای موجود تماما خودکار از وبلاگ های فارسی دریافت میشود ؛ در صورت مشاهده هرگونه محتوای خلاف قوانین جمهوری اسلامی ایران ؛ گزارش دهید تا به قید فوریت حذف گردد.
  با افتخار قدرت گرفته از سیستم جامع بلاگ ریدر نسخه 9
©   تمامی حقوق مادی و معنوی این سایت متعلق به بنفش بلاگ بوده و محفوظ میباشد ، با هرگونه کپی بردای از طرح یا پوسته برخورد خواهد شد.